Little Mix Lm5 Track by Track Album Review

2020 studio album by Fiddling Mix

Confetti
Studio album by Little Mix
Released	6 Nov 2020 (2020-eleven-06)
Genre	Popular R&B
Length	xl:26
Characterization	RCA
Producer	Oliver Frid Goldfingers Invisible Men Kamille Chris Loco Lostboy Cass Lowe MNEK Alex Nice Oak Tayla Parx Peoples Rissi Keith Sorrells TMS
Little Mix chronology
LM5 (2018) Confetti (2020) Between Us (2021)
Singles from Confetti
"Break Up Song" Released: 27 March 2020 "Holiday" Released: 24 July 2020 "Sugariness Melody" Released: 23 October 2020 "Confetti" Released: 30 April 2021

Confetti is the sixth studio album by British girl group Little Mix, released on half-dozen November 2020 through RCA Records. The album was recorded before the COVID-19 pandemic, which interfered with the subsequent promotion plan for the anthology. It was the group's final anthology to feature erstwhile group member Jesy Nelson, who left the group in December 2020, and is their starting time to be released nether RCA Records, following their split from Syco Music.

Musically, Confetti, is primarily a pop and R&B record with elements of 1980s pop, reggaeton, 2000s popular, and gospel music. The anthology was met with by and large positive reviews from critics and lyrically addresses themes of self-credence, self-worth, liberty, and independence. The anthology was supported past iv singles; "Break Up Song", "Holiday", "Sweet Melody", which peaked at number-one in the Great britain and a remix of the championship runway, featuring Saweetie. An expanded edition of the album was released on 11 Dec 2020, and includes stand-alone singles; "No Fourth dimension for Tears" (with English language DJ Nathan Dawe), "Bounce Dorsum" and "One I've Been Missing".

Commercially Confetti, topped the Irish Albums Chart, condign the group's third number one anthology. On the UK Albums Nautical chart, the album peaked at number two becoming the group's sixth consecutive anthology to reach the top 5 there. Elsewhere, it reached the summit ten of the charts in ten other territories, and peaked at number eighty-five on the The states Billboard 200 charts. To promote the album, Trivial Mix embarked on The Confetti Tour, and gave televised performances on Piffling Mix The Search, The Jonathan Ross Show, and the 2020 MTV EMAs.

Background [edit]

On 12 March 2020, Little Mix released a music video for the LM5 (2018) album rail "Wasabi". At the end of the video, the album cover for LM5 was seen standing on a platform before being thrown out by an explosion of confetti, followed by the message 'New Era Pending'.^[1]

On 16 September 2020, Confetti was announced beyond multiple social media platforms by Little Mix, revealing the release date of vi November 2020, also every bit the album art and the title.^[2] On xviii September, streaming services released pre-orders of the anthology.^[three] The standard edition has thirteen tracks. On 27 October, Niggling Mix partnered with Amazon Alexa to release the official track listing. Fans were encouraged to say "Alexa, drop some Confetti" and they would receive a track name.^[iv] The next day, 28 October, the total runway listing was confirmed.^[5]

The album was "pretty much finished" earlier the COVID-19 lockdowns were implemented, with "piffling tweaks" even so to exist made. Equally restrictions eased, each of the members individually visited the studios to add "terminal touches", whereas for their previous albums, they would complete the album process together. Perrie Edwards noted that it was a "weird process", but that they felt they had to complete it due to wanting "everyone to hear it". Jesy Nelson noted the contrast between Confetti and LM5, stating that LM5 was very "girl power", whereas with Confetti, she said: "With this anthology, we just had fun and wrote songs that we liked and it came together". Jade Thirlwall agreed with Nelson, adding, "Not every single song has to have this super deep pregnant. People know what we're about at present and know what we stand for. I think LM5 was very much about solidifying that, whereas with this anthology it is but about writing vivid pop songs that we love."^[half-dozen] Confetti was described by Leigh-Anne Pinnock as the group's "biggest" anthology yet.^[7] Effectually the anthology's release, Nelson took some time out of the group's promotion schedule, citing a private medical matter. On 14 December, Nelson announced she was leaving the group due to the impact on her mental wellness. In a statement, she said, "I find the constant pressure of being in a girl grouping and living upwardly to expectations very hard."^[viii]

On 12 June 2021, a new vinyl version of the album was made available in selected stores around the globe for Record Store Twenty-four hour period 2021. The new version came in an orange and pinkish embrace with the album title printed in cursive silvery glitter. The new version exclusively featured the new remix version of the anthology's title track, "Confetti", featuring American rapper Saweetie.^{[ix] [x]}

Music and lyrics [edit]

Musically, Confetti is a pop^{[11] [12]} and R&B^[xiii] record, incorporating elements of synth-pop, gospel,^[14] retro and gimmicky pop production that "provides its audience with a warm and fuzzy feeling of nostalgic delight".^[xiv] The album was as well described equally reminiscent of the group's previous bubblegum-pop records, merely with a more mature sound and "poignant lyrics".^[15] Lyrically, the songs discuss being freed from unrealistic expectations,^[15] self-acceptance,^[sixteen] cocky-worth and a "vehement and mercifully coherent statement of independence".^[12]

Songs [edit]

Confetti opens with "Break Up Song", a 1980s synth-pop "kiss-off anthem" about joy and liberation that one can find in single life. Information technology has been compared to Don Henley's "The Boys of Summer".^{[12] [11] [fourteen]} Sam Etzioni of Renowned for Sound believes that the song serves as a sequel to the group's Glory Days track "Shout Out to My Ex".^[xiv] The second track, "Holiday", has a "mail-Daft Punk" feel and is set to house beats.^[11] The third track, "Sweet Melody", has reggaeton beats, and lyrically is virtually getting over an ex-boyfriend.^{[17] [xi]} The title runway, which serves as the 4th rails of the album, is reminiscent of a compilation of early 2000s hits,^[17] and encapsulates the feel-good tone of the album as a whole. The song contains self-sufficient lyrics and promotes a focus on one's private enjoyment of life, a lack of preoccupation with men and relationships and an appreciation for what one has right here and now.^[xiv]

"Happiness", the fifth track, is a Europop-R&B song.^{[12] [11]} Lyrically, the song is about finding strength from inside, rather than needing a partner to describe that strength and happiness from.^[sixteen] The lyrics are reminiscent to the group's LM5 track "The Cure" for its bulletin regarding self-honey and credence.^{[18] [xv]} The 6th track, "Not A Pop Song", is a guitar-lead runway, containing lyrics about battling unrealistic expectations and superficial standards in the pop world. The vocal also appears to accept a swipe at Simon Cowell and his record label, Syco Music, which the group left back in 2018, with the lyrics "I don't do what Simon says".^[19] The vocal is likewise described every bit "the perfect ode to the stereotypical popular music factory".^[20] The seventh track, "Nada But My Feelings", is lyrically about a "booty call". Member Jade Thirlwall said that they "[the writers] purposefully made the song seem quite innocent, merely really when yous expect into the lyrics they're pretty filthy".^[21]

The eighth rail, "Gloves Up", has an euphoric and deep groove with clattering rhythm that is reminiscent of 2000s R&B.^{[11] [18]} The ninth track, "A Mess (Happy 4 U)", is a melodic pop vocal, shifting after two minutes into a nighttime cloud of sampled panting, booming drums and distorted vocals.^[11] "My Love Won't Let Y'all Down", which serves every bit the tenth track of the anthology, is a gospel piano ballad.^[11] The song talks about the "human nature of friendship",^[18] and it is believed to exist written every bit a love letter for the fans.^[15] Jacklyn Krol of PopCrush described the vocal as a "soaring ballad" and that it "shows off the group's raw vocal talent without getting bogged downwards by sleeky product".^[20] The eleventh rail, "Rendezvous", is a gimmicky pop vocal with hints of retro, and has been compared to the work of the Pussycat Dolls, particularly their song "Buttons".^{[12] [17]} The song samples "Sway" past Dean Martin.

"If You lot Desire My Love", the twelfth runway, is a R&B song, and has fatigued comparisons to TLC and Destiny's Kid.^[12] The closing track, "Breathe", is a torch song and lyrically about heartbreak.^{[12] [eleven]} "Bounce Dorsum" appears on the Japanese deluxe version of Confetti, and is a trap-pop vocal that interpolates "Back to Life (However Do Y'all Desire Me)" past Soul II Soul.^[22]

Artwork [edit]

The standard encompass of the Confetti album depicts Nelson, Pinnock, Thirlwall, and Edwards, each wearing glittery makeup with fluorescent lights flying beyond the background. The name of the group can be seen at the top of the embrace printed in off-white color, and the album name at the bottom.^[23] Pinnock tin can likewise be observed wearing her engagement ring in the cover artwork, after she was engaged to her fiancé Andre Gray in May 2020. The back cover likewise has fluorescent lights in the groundwork, similar to the front, and displays the track listing of the album.^[24] The expanded edition of the album features the aforementioned embrace but with the proper noun of the band printed in bluish color.^[25] The sectional vinyl version of the album for Record Store Day 2021 came with an orangish and pink cover with the anthology championship printed in cursive silver glitter.^[9]

Promotion [edit]

Singles [edit]

Confetti was supported by four singles. On 27 March 2020, "Pause Up Vocal" was released every bit the lead unmarried from the then-untitled album.^[26] The official music video for the was released on 8 May 2020.^[27] The song debuted at number nine on the Great britain Singles Chart, and spent 18 weeks on the chart.^[28] The song charted in several other countries and received gold music certifications from the British Phonographic Industry (BPI) and from Pro-Música Brasil (PMB).

"Vacation" was released on 24 July 2020 and served as the album's second unmarried.^[29] Its music video was filmed during isolation due to the COVID-19 pandemic, in forepart of a greenscreen, and features the group as mermaids and goddesses. It was released on 28 Baronial 2020.^{[thirty] [31]} The track peaked at number xv on the UK Singles Chart, and charted in ten other territories. It has since been certified aureate in both the United Kingdom and Brazil.

"Sweet Melody" was announced as the anthology's 3rd single on xix October, and released on 23 October.^[32] An accompanying music video was released the aforementioned day as the song'due south release.^[33] The song debuted at number eight on the Uk Singles Chart,^[34] and peaked at number 1 three months subsequently its release, becoming the group's 5th chart-topper in the United Kingdom.^[35] The song spent thirteen weeks inside the top ten of the United kingdom Charts, condign the grouping's longest running Top x single there.^[36]

A remix of the album's title rail, featuring American rapper Saweetie, was released as the fourth and final single of the album on 30 Apr, as announced on 21 Apr. The reworked version does not characteristic the verse by former member Nelson, every bit it was the group'due south outset release every bit a trio, post-obit her departure in 2020.^[37] An accompanying music video, directed by Samuel Douek, was released the aforementioned day. The song peaked at number nine on the UK Singles Chart and has been certified silver past the BPI.^[38] The remix also charted in Belgium, New Zealand and Venezuela.

Promotional singles [edit]

Prior to the album's release, three promotional singles were released, all of which had accompanying lyric videos on the group's YouTube aqueduct. On 9 Oct 2020, "Non a Pop Vocal" was released as the album'due south first promotional unmarried.^[39] On 16 October 2020, "Happiness" was released as the 2d promotional single.^[forty] On 4 Nov 2020, the title rail was released as the tertiary promotional single, before being released as the album's quaternary official single.^[41]

Alive performances [edit]

Promotion for Confetti and its singles was limited considering of the COVID-nineteen pandemic. The grouping first performed tracks from their album for their virtual concert Picayune Mix - UNCancelled. It was watched past over 300,000 fans and presented past Meerkat Music. The group performed "Break Up Song" and "Holiday" for the first time during the concert, alongside some of their other hits.^[42] The group after promoted the album and its singles on Little Mix The Search, just group member Jesy Nelson missed some of the album'due south promotion and performance. It was later on confirmed that this was due to a private medical affair and that Nelson was taking an extended break from the group.

The group and so hosted the 2020 MTV EMAs, where they performed their single "Sweetness Melody". Picayune Mix continued to promote the album with an advent and a performance of "Sweetness Melody" on The Jonathan Ross Show on 21 Nov 2020.^[43] The group later performed "Interruption Up Song" on the semi-finals of BBC'southward Strictly Come up Dancing on 13 December 2020.^[44]

The Confetti Tour [edit]

On 17 September 2020, Little Mix announced their 7th upcoming tour, The Confetti Tour, originally scheduled to have place from 28 April to 29 May 2021,^[3] before beingness postponed. The tour locations were likewise appear, with the group scheduled to perform in cities beyond the Uk and Republic of ireland.^[45] Tickets were released to the full general public on 25 September at 9am BST, with the option of pre-auction tickets given to those who pre-ordered Confetti through the group'due south official website.^[46] The pre-sale tickets were available from 22 to 25 September.^[47]

Critical reception [edit]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.1/10[48]
Metacritic	74/100[49]
Review scores
Source	Rating
Clash	ix/10[fifty]
DIY	[thirteen]
The Guardian	[51]
The Contained	[52]
iNews	[53]
The Line of Best Fit	5.5/ten[54]
musicOMH	[55]
The Observer	[56]
PopMatters	8/ten[15]
The Sunday Times	[57]
The Telegraph	[58]

At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the anthology has an boilerplate score of 74 out of 100, based on ten reviews, indicating "generally favorable reviews" and their highest rated to date.^[49] Similarly, review aggregator AnyDecentMusic? rated Confetti seven.1 out of 10.^[48] Clash 's Megan Walder praised the album's themes of "meta critiques on the music industry and driving forrad with their empowering agenda to be every girl'south all-time friend". Walder besides felt that "touches of R&B, the cornball beats and the impeccable harmonies that the 4 produce offer comfort with their familiarity and still manage to feel progressive with the 2020 accept on these classic elements of an iconic music era", referring to the 2000s equally the iconic music era in question.^[l] Jenessa Williams of DIY agreed, saying that "Confetti feels like a proper bid for earth domination, forepart-loaded with strong, Americanised R&B." Album tracks "Confetti" and "Rendezvous" drew comparisons to "00s compilation bangers, the sort that demand large-budget music videos that you can human activity out in your bedroom when no one is watching."^[13]

Alexis Petridis from The Guardian awarded the album iii out 5 stars, saying it sounded "strangely familiar", and "hard pushed to differentiate it from its predecessor [LM5]". Petridis noted that Confetti was a "box-ticking exercise in current pop trends" including '80s inspired synths ("Interruption Up Song"), reggaeton beats ("Sugariness Tune"), post-Daft Punk firm ("Vacation"), gospel ("My Honey Won't Let Y'all Downwardly") and Europop ("Happiness"). He ended by maxim that Confetti is exactly what you would expect, "a solid mainstream popular album – fifty-fifty when it'due south challenge that it isn't".^[51] Meanwhile The Independent 'due south Roisin O'Connor opined that the "grouping's clear nineties influences mesh wonderfully with contemporary pop product". In the review O'Connor said "Confetti doesn't stray likewise far from the empowered glam pop that Footling Mix have made their forte. Its 13 tracks are a polished mix of flirtatious bops and loftier-octane tracks that celebrate self-worth... sure, there'south naught groundbreaking to be found here, simply it does bear witness that Little Mix practise but fine when they're relying on their own instincts."^[52]

The album was called "triumphant" and a "celebration", referencing the group's split up with Simon Cowell and their onetime label Syco Music, past Elisa Bray from iNews. Bray described that Confetti "is the confident album of a grouping who, approaching thirty, have constitute their voice."^[53] Although Steven Loftin from The Line of Best Fit chosen the album a "stride frontwards", he said "a trivial more than intendance in the arts and crafts of the large picture wouldn't become a miss". Loftin elaborated that "given the situation, almost liberty, that the assertive group find themselves in, at that place'due south certainly a gap in Confetti that leaves y'all wishing there was a farther step forward into something coherent."^[54] Writing for musicOMH, Nick Smith said "Confetti sees Little Mix coming out of the starting blocks power walking. There's nothing really new here". Smith went on to criticise the Machine-tune used on some of the songs but ultimately said "these talented women are now undeniably veterans of kiss-offs and pop bangers with soaring choruses. Confetti is a dependable album with recipe staples, but to keep time to come interest piqued, something new is now required in the mix."^[55] Kate Solomon from The Telegraph agreed with all of the prior critics' sentiments, saying that although the album is "glorious fun" it was zip "we oasis't heard before". Solomon concluded that Confetti continued a trend of "high quality" music, with "consistently attainable mode" and "likeable personalities".^[58] While The Dominicus Times ' Will Hodgkinson said "Who would have guessed that the daughter ring would exist thriving well-nigh a decade later on? Determination has won through and their latest album displays the chemistry and bonhomie that has got them this far." He said that the anthology sounded familiar, "somewhere betwixt zippy pop and slinky R&B".^[57] Jeffrey Davies of PopMatters, went on to phone call Confetti the group's all-time piece of work to date, describing it as "entertaining but not over the summit and bold but not cocky-serving". He also added that the album, autonomously from existence bold and grown-up, "is campy and fun in a way that sounds completely natural to the group". Standing his review, he stated "With this anthology, Petty Mix take captured the best of both worlds: the beloved dance-popular that made them famous with newfound creative freedom and ability".^[15] Jacklyn Krol of PopCrush stated that the anthology "packs a perfect flow that takes the listener on a journey of emotions and vibes" and that it "truly feels like a liberation for the grouping". PopCrush likewise included the album as one of the "25 Best Albums of 2020".^[20]

Year-end lists [edit]

Commercial functioning [edit]

The atomic number 82 single "Pause Up Song", peaked at number nine on the U.k. Singles Chart and at number two on the Scottish Singles Chart, and charted in the summit xx of Republic of hungary and Ireland. Information technology was certified gold in both the Britain and Brazil. The grouping second unmarried "Holiday", peaked at number fifteen on the UK Singles Chart. Information technology reached number three in Scotland, number eight in Republic of macedonia, and charted in the top xx of Hungary and Republic of bolivia's English language-linguistic communication charts. It was later certified gold in both the United Kingdom and Brazil.

Their third single "Sweet Melody" reached the tiptop of the United kingdom Singles Chart in January 2021, becoming the group's fifth number-1 single there, and their first since "Shout Out to My Ex" in October 2016. The single also topped the charts in North Macedonia, and peaked within the summit xx of the charts in Croatia, Hungary and Ireland, and the English language-linguistic communication charts of Guatemala, Republic of bolivia, Uruguay and Republic of peru. It was later certified platinum in both the United Kingdom and Brazil. The group fourth single a remix of "Confetti" featuring American rapper Saweetie was released as the concluding single from the anthology. The vocal reached number nine on the UK singles chart, condign Picayune Mix 18th top 10 unmarried there.

"No Time for Tears", which peaked at number nineteen on the uk singles chart, and "Bounce Dorsum" which peaked at number 10, was later included on the grouping expanded edition of their sixth studio album, Confetti. Both singles have been certified silverish in the UK, while 'Bounce Back' was also certified gold in Brazil. "I I've Been Missing", was also included on the group expanded edition of their sixth studio anthology, Confetti.

Upon its release, the album received more often than not positive reviews. The anthology charted in a total of 25 countries and peaked at number 1 on the Irish Albums Charts, becoming the group's third number i album in the country. In the United Kingdom the album debuted at number two on the Official Albums Nautical chart with 49,000 chart sales, 5,000 behind Kylie Minogue's Disco in what several outlets deemed to exist a hotly contested nautical chart battle,^[61] and became the group's sixth anthology to chart in the meridian five of the Great britain Albums Nautical chart. It has since been certified golden past the British Phonographic Manufacture (BPI). Confetti claimed the biggest kickoff-week sales for an anthology by a British human action in 2020,^[62] and was also the fastest-selling album by a British deed that year.^[63] In 2021 the album was ranked as one of the best best selling albums of the yr, and the all-time selling album by a girl group that year.^[64]

Outside of the Uk, the album charted within the peak ten on the Australian, Croatia, Belgian, Portuguese, Dutch, New Zealand, Lithuanian, Castilian, and Austrian albums charts. Elsewhere it charted within the superlative 20 on the German, Polish, and Swiss Albums Chart and charted in 10 other territories including the United states.

In the U.s., the album debuted at number fourscore-five on the US Billboard 200 chart.^{[65] [66] [67]} This became the group's sixth overall album to chart there.^[68] Leigh-Anne Pinnock'southward mother hitting out at their The states tape label Columbia Records, accusing them of failing to promote the album in the US.^{[69] [70]}

Rails listing [edit]

Confetti track list

No.	Title	Writer(s)	Producer(south)	Length
ane.	"Suspension Up Song"	Camille Purcell Frank Nobel Linus Nordstrom Perrie Edwards Leigh-Anne Pinnock Jade Thirlwall	Kamille[pv] Goldfingers Raphaella[5]	iii:20
2.	"Holiday"	Chris Loco Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Goldfingers Chris Loco	three:33
3.	"Sweet Melody"	Brian A. Garcia Morten Ristorp Robin Oliver Frid Tayla Parx Uzoechi Emenike	Parx Frid MNEK[pv] Rissi Peoples	3:33
iv.	"Confetti"	Ben Kohn Purcell Maegan Cottone Peter Kelleher Tom Barnes Emenike	TMS Sam Klempner[c] Chris Bishop[c] MNEK[c] Cottone[v]	2:47
5.	"Happiness"	Kohn Purcell Kelleher Barnes Emenike	TMS Klempner[c] Bishop[c] Phil Cook[c] Cottone[v] MNEK[five]	3:17
six.	"Non a Popular Song"	Pinnock Thirlwall Frid Parx Lara Maria Andersson	Parx[pv] Frid MNEK[pv] Cottone[five]	2:59
vii.	"Zip But My Feelings"	Alex Niceforo Thirlwall James Norton Keith Sorrells Sean Douglas Warren Okay Felder	Oak Sorrells Alex Squeamish Raphaella[five]	ii:42
8.	"Gloves Upward"	Thirlwall Pinnock Cottone Edwards Peter Rycroft	Lostboy	two:47
nine.	"A Mess (Happy 4 U)"	Cass Lowe Thirlwall Janee Bennett Pinnock Edwards	Lowe[pv] Jin Jin[5] Raphaella[five]	iii:29
x.	"My Dearest Won't Permit Yous Down"	Nobel James Abrahart Purcell Nordstrom	Kamille[pv] Goldfingers Raphaella[v]	ii:54
eleven.	"Rendezvous"	Andersson Luis Traconis Molina Norman Gimbel Pablo Beltrán Ruiz Frid Parx	Parx Frid[pv] Raphaella[v]	2:56
12.	"If You Want My Love"	Andrew Bullimore Nobel Purcell Nordstrom	Kamille[pv] Goldfingers Raphaella[5]	2:40
xiii.	"Breathe"	Lowe George Astasio Jason Pebworth Jon Shave Purcell	Lowe Invisible Men Kamille[v]	three:29
Total length:				xl:26

Confetti Japanese release bonus tracks

No.	Title	Writer(due south)	Producer(s)	Length
14.	"Bounce Back"	Mikkel S. Eriksen Normani Kordei Hamilton Tor Erik Hermansen Steve Thousand. Thornton 2 Jocelyn Donald Jude Demorest Beresford Romero	Stargate Swiff D Kuk Harrell[v]	ii:xl
xv.	"Break Upwards Song" (acoustic version)	Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Goldfingers Raphaella[5]	iii:23
16.	"Vacation" (Frank Walker remix)	Loco Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Loco Goldfingers Frank Walker[r]	3:24
Total length:				49:53

Confetti expanded edition

No.	Title	Writer(s)	Producer(southward)	Length
14.	"No Time for Tears" (with Nathan Dawe)	Thirlwall Nathan Dawe Tre Jean-Marie Emenike	Dawe Jean-Marie[pv] MNEK[v]	3:17
15.	"Bounciness Dorsum"	Romero Donald Demorest Eriksen Hamilton Thornton 2 Hermansen	Stargate Swiff D Harrell[v]	ii:xl
16.	"1 I've Been Missing"	Jez Ashurst Pinnock Rachel Furner Sinéad Harnett Jean-Marie	Ashurst Jean-Marie[pv] Furner[five]	3:12
17.	"Break Up Song" (Nathan Dawe remix)	Purcell Nobel Nordstrom Edwards Pinnock Thirlwall	Kamille[pv] Goldfingers Raphaella[5] Dawe[r]	3:21
xviii.	"Intermission Up Song" (Steve Void remix)	Purcell Nobel Nordstrom Edwards Pinnock Thirlwall	Kamille[pv] Goldfingers Raphaella[v] Steve Void[r]	ii:58
xix.	"Break Up Song" (audio-visual version)	Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Goldfingers Raphaella[5]	3:23
20.	"Holiday" (MNEK remix)	Charmaine Sylvers Loco Dana Meyers Nobel Thirlwall Purcell Pinnock Nordstrom Nidra Beard Edwards	Loco Goldfingers Kamille[pv] MNEK[r]	iii:38
21.	"Holiday" (220 Kid remix)	Loco Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Goldfingers Loco 220 Child[r]	3:25
22.	"Holiday" (Frank Walker remix)	Loco Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Loco Goldfingers Walker[r]	iii:24
23.	"Holiday" (acoustic version)	Loco Nobel Thirlwall Purcell Pinnock Nordstrom Edwards	Kamille[pv] Loco Goldfingers	3:32
24.	"Sweetness Melody" (PS1 remix)	Garcia Ristorp Frid Parx Emenike	Parx Frid MNEK[pv] Rissi Peoples PS1[r]	3:31
25.	"Sweetness Tune" (Alle Farben remix)	Garcia Ristorp Frid Parx Emenike	Parx Frid MNEK[pv] Rissi Peoples Alle Farben[r]	3:21
26.	"Sugariness Melody" (acoustic version)	Garcia Ristorp Frid Parx Emenike	Parx Frid MNEK[pv] Rissi Peoples	3:34
Total length:				83:42

Confetti Tape Store Day 2021 vinyl bonus track

No.	Title	Writer(s)	Producer(s)	Length
14.	"Confetti" (featuring Saweetie)	Kohn Purcell Cottone Kelleher Barnes Emenike Diamonté Harper	TMS Klempner[c] Bishop[c] MNEK[c] Cottone[five]	iii:04

Notes [edit]

• ^{^[c]} indicates a co-producer
• ^{^[v]} indicates a vocal producer
• ^{^[pv]} indicates a principal producer equally well a song producer
• ^{^[r]} indicates a remixer.
• "Rendezvous" contains elements of "Sway", written by Luis Demetrio and Norman Gimbel
• "Bounce Back" interpolates "Back to Life (However Exercise Y'all Want Me)" by Soul 2 Soul

Personnel [edit]

Credits adapted from Tidal and Allmusic.^{[71] [72]}

Musicians [edit]

• Jesy Nelson – vocals (all tracks)
• Leigh-Anne Pinnock – vocals (all tracks)
• Jade Thirlwall – vocals (all tracks)
• Perrie Edwards – vocals (all tracks)
• Kamille – groundwork vocals (1, 2, x, 12, 13, 17, 18, 20–22), bass (i, 2, 10, 12, 17, 18, 20–22), keyboards (1, ten, 12, 17, 18, 20–22), all instruments (19, 23)
• Frank Nobel – drums (1, 2, 10, 12, 17, xviii, 20, 21), keyboards (1, ten, 12, 17, 18), programming (1, 2, 10, 12, 17, 18, 20, 21); bass, guitar (2, 20, 21); all instruments (19, 23)
• Linus Nordstrom – drums, programming (1, 2, x, 12, 17, 18, 20, 21); keyboards (1, 10, 12, 17); bass, guitar (2, 20, 21); all instruments (19, 23)
• Chris Loco – keyboards, programming (2, 20–22)
• Oliver Frid – bass, drums, guitar, keyboards (3, 6, 11, 24, 25); programming (3, vi, xi, 24–26), background vocals (6), all instruments (26)
• Tom Barnes – bass, drums, programming (4, 5)
• Ben Kohn – guitar (4, 5), programming (5)
• Pete Kelleher – keyboards (4, 5), synthesizer (5)
• Phil Cook – programming (five)
• Lara Maria Andersson – groundwork vocals (6)
• Alex Prissy – programming (7)
• Keith Sorrells – programming (7)
• Lostboy – keyboards, programming (8)
• Cass Lowe – programming (ix, 13); groundwork vocals, drums, synthesizer (9); bass, keyboards (thirteen)
• Jin Jin – background vocals (9)
• Jon Shave – keyboards (thirteen)
• Niamh Murphy – background vocals (14)
• Tre Jean-Marie – bass, drums, pianoforte, programming, strings, synthesizer (14, xvi); keyboards (xvi)
• Mikkel S. Eriksen – all instruments, programming (15)
• Swiff D – all instruments, programming (15)
• Tor Hermansen – all instruments, programming (15)
• Jocelyn Donald – background vocals (fifteen)
• Lincoln Jean-Marie – groundwork vocals, performance arrangement (16)
• Joshua Alamu – functioning arrangement (xvi)
• Amy Williams – background vocals (xvi)
• Elizabeth Alexander – groundwork vocals (xvi)
• Jacob Attwooll – groundwork vocals (16)
• Jermain Jackman – background vocals (16)
• Kate Stewart – groundwork vocals (16)
• Layla Ley – groundwork vocals (xvi)
• Michelle John – background vocals (xvi)
• Rachel Furner – background vocals (16)
• Simon King – background vocals (xvi)
• Jez Ashurst – bass, drums, guitar, keyboards, piano, programming, synthesizer, strings (16)
• Fred Cox – guitar (16)
• Nathan Dawe – remixing (17)
• Steve Void – remixing (eighteen)
• Bloomfield – guitar (19, 23)}
• MNEK – remixing (20)
• 220 Child – remixing (21)
• Jackson Dimiglio-Woods – programming (21)
• Frank Walker – remixing (22)
• PS1 – remixing (24)
• Alle Farben – remixing (25)

Technical [edit]

• Phil Tan – mixing (one–13, 16–25)
• Tre Jean-Marie – mixing (14), vocal engineering (16)
• Kevin "KD" Davis – mixing (15)
• Jackson Dimiglio-Wood – mixing, mastering (21)
• Goldfingers – mixing (23)
• Oliver Frid – mixing (26)
• Randy Merrill – mastering (1–13, 19, 23, 26)
• Lewis Hopkin – mastering (14)
• Chris Gehringer – mastering (15)
• Ryan Smith – mastering (sixteen)
• Stuart Hawkes – mastering (17, xx, 24, 25)
• Steve Void – mastering (xviii)
• Frank Walker – mastering (22)
• Paul Norris – applied science (1, 17–19, 24), vocal engineering (2, three, half dozen–fourteen, 16, 20–22, 24, 25)
• Chris Loco – applied science (two, twenty–22)
• Mikkel S. Eriksen – engineering (15)
• Thomas Warren – applied science (15)
• Gabriëlle Stok – song engineering (6)
• Chris Bishop – vocal engineering (7, x, 12)
• Cass Lowe – vocal engineering (9)
• Simone Torres – song engineering (xv)
• Alex Robinson – song engineering science (16)
• Jamie McEvoy – song engineering (sixteen)
• Beak Zimmerman – engineering science aid (2–13, 17–25)

Design [edit]

• Big Active – fine art direction, pattern
• Mariano Vivanco – photography

Charts [edit]

Certifications [edit]

Release history [edit]

See also [edit]

• List of Uk summit-ten albums in 2020
• Listing of number-one albums of 2020 (Ireland)

References [edit]

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Source: https://en.wikipedia.org/wiki/Confetti_(Little_Mix_album)

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